philip lelyveld The world of entertainment technology

13Nov/12Off

Napster, Udacity, and the Academy

[Philip Lelyveld comment; this is an interesting, albeit unneccessarily word, article on Massively Open Online Courses (MOOCs))

That’s because the fight over MOOCs is really about the story we tell ourselves about higher education: what it is, who it’s for, how it’s delivered, who delivers it. The most widely told story about college focuses obsessively on elite schools and answers a crazy mix of questions: How will we teach complex thinking and skills? How will we turn adolescents into well-rounded members of the middle class? Who will certify that education is taking place? How will we instill reverence for Virgil? Who will subsidize the professor’s work?

MOOCs simply ignore a lot of those questions. The possibility MOOCs hold out isn’t replacement; anything that could replace the traditional college experience would have to work like one, and the institutions best at working like a college are already colleges. The possibility MOOCs hold out is that the educational parts of education can be unbundled. MOOCs expand the audience for education to people ill-served or completely shut out from the current system, in the same way phonographs expanded the audience for symphonies to people who couldn’t get to a concert hall, and PCs expanded the users of computing power to people who didn’t work in big companies.

Udacity may or may not survive, but as with Napster, there’s no containing the story it tells: “It’s possible to educate a thousand people at a time, in a single class, all around the world, for free.” To a traditional academic, this sounds like crazy talk.

See the full essay here: http://www.shirky.com/weblog/2012/11/napster-udacity-and-the-academy/?utm_source=feedburner&utm_medium=email&utm_campaign=Feed%3A+mediaredef+%28jason+hirschhorn%27s+Media+ReDEFined%29

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