Using digital technology, a researcher has unravelled the secrets of the use of perspective by the Flemish painter Jan Van Eyck, a technique previously believed to be specific to the Italian Renaissance artists.
The history of lines is anything but linear. The importance of proportions and depth in artistic representation has fluctuated widely from one century and culture to the next. During the Renaissance, the geometric precision of perspective became an essential feature of painting and fresco work, not to mention sculpture and architecture.
While Brunelleschi was already using a wooden panel with an eyehole by about 1420, Van Eyck nonetheless remains one of the pioneers in the use of optical systems to depict perspective and take human stereoscopic vision into account. This approach can be considered a forerunner of augmented reality, and would be simplified 70 years later by Leonardo da Vinci.