As dawn breaks over Austin during SXSW 2025, a spectral revolution materializes at the intersection of 6th Street and Congress Avenue. Bryonn Bain's volumetric incarnation of Jesse Max Barber – the Black journalist who documented the 1906 Atlanta Race Massacre – emerges not as a static hologram, but as a navigable memory field. Selected for SXSW's XR Experience Competition, this collaboration between Emmy-winning director Nonny de la Peña and Digital Nation Entertainment's studio director Addie Reiss represents a paradigm shift in historical resurrection through volumetric capture. ...
At the core of Barber's compelling presence lies DNE's Santa Monica volumetric 4D stage – where 120 bespoke RGB-D cameras orchestrated by Reiss' team captured Bain's performance, as a holographic presence. DNE's proprietary structured-light sensors achieved sub-millimeter spatial resolution – critical for preserving the tremor in Bain's hands as Barber recounts watching white mobs burn Black-owned businesses. "We needed forensic-level capture without sacrificing artistic spontaneity, to convey Bain's testimony and draw the audience into the story." explains Reiss. ...
"Record the actor, not an approximation." ...
See the full story here: https://www.prnewswire.com/news-releases/dne-studios--nonna-de-la-pena-pushes-boundaries-with-volumetric-4d-storytelling-of-the-1906-atlanta-race-massacre-at-sxsw-302396306.html