These Virtual Reality Films Are Blazing a New Trail in Storytelling and Art
Other shorts involve an interactive element. In Kalina Bertin’s Manic VR, you use controllers to interact with what it’s like to live with bipolar disorder, at one point popping imaginary bubbles that float into view. For Asad Malik’s Terminal 3, visitors step into a replica airport security room and put on, not an Oculus, but a HoloLens, which projects an image of a young woman on the empty chair opposite them. The woman has returned to the US from a trip to visit family in Pakistan, and you take on the role of a Homeland Security interrogator — the short is programmed to respond to questions you ask aloud, and changes depending on which ones you choose to ask from those presented.
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